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		<title>Edebiyata Bakış Açıları 2 Edebiyata Metin Odaklı Bakış 2</title>
		<link>https://kavrakoglu.com/edebiyata-bakis-acilari-2-edebiyata-metin-odakli-bakis-2/</link>
					<comments>https://kavrakoglu.com/edebiyata-bakis-acilari-2-edebiyata-metin-odakli-bakis-2/#respond</comments>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Fri, 11 Sep 2026 07:34:28 +0000</pubDate>
				<category><![CDATA[Edebiyat]]></category>
		<category><![CDATA[1001 Gece Masalları]]></category>
		<category><![CDATA[Anlatıbilim (Narratology)]]></category>
		<category><![CDATA[Canterbury Hikayeleri]]></category>
		<category><![CDATA[çerçeve öykü]]></category>
		<category><![CDATA[Claude Lévi-Strauss]]></category>
		<category><![CDATA[diegesis]]></category>
		<category><![CDATA[Edebiyat ve Kuramlar]]></category>
		<category><![CDATA[Edebiyata Bakış Açıları]]></category>
		<category><![CDATA[Edebiyata Metin Odaklı Bakış]]></category>
		<category><![CDATA[Fatma Erkman-Akerson]]></category>
		<category><![CDATA[Gérard Genette]]></category>
		<category><![CDATA[Göstergebilimsel (Semiyotik) Analiz]]></category>
		<category><![CDATA[İkili Karşıtlıklar (Binary Oppositions)]]></category>
		<category><![CDATA[İstanbul Kitapçısı]]></category>
		<category><![CDATA[İthaki Yayınları]]></category>
		<category><![CDATA[Julia Kristeva]]></category>
		<category><![CDATA[Kadıköy İskele]]></category>
		<category><![CDATA[Kip (mode)]]></category>
		<category><![CDATA[Metinlerarasılık (Intertextuality)]]></category>
		<category><![CDATA[Mihail Bahtin]]></category>
		<category><![CDATA[mimesis]]></category>
		<category><![CDATA[Roland Barthes]]></category>
		<category><![CDATA[Ses (voix) ölçütü]]></category>
		<category><![CDATA[sıklık (frequency)]]></category>
		<category><![CDATA[süre (duration)]]></category>
		<guid isPermaLink="false">https://kavrakoglu.com/?p=20462</guid>

					<description><![CDATA[<p>Claude Lévi-Strauss’un (1908-2009) antropolojide kullandığı İkili Karşıtlıklar (Binary Oppositions) yöntemi, edebi metinlerin derin yapısını çözmek için sıklıkla uygulanır. Bu yaklaşıma göre anlam, zıtlıklar sayesinde var olur. Eleştirmenler metindeki yaşam/ölüm, iç/dış, doğa/kültür, aydınlık/karanlık gibi temel zıtlıkları listeler ve metnin bu zıtlıkları [&#8230;]</p>
<p>The post <a href="https://kavrakoglu.com/edebiyata-bakis-acilari-2-edebiyata-metin-odakli-bakis-2/">Edebiyata Bakış Açıları 2 Edebiyata Metin Odaklı Bakış 2</a> appeared first on <a href="https://kavrakoglu.com">Füsun Kavrakoğlu</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">20462</post-id>	</item>
		<item>
		<title>Edebiyata Bakış Açıları 1 Edebiyata Metin Odaklı Bakış 1</title>
		<link>https://kavrakoglu.com/edebiyata-bakis-acilari-1-edebiyata-metin-odakli-bakis-1/</link>
					<comments>https://kavrakoglu.com/edebiyata-bakis-acilari-1-edebiyata-metin-odakli-bakis-1/#respond</comments>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Thu, 10 Sep 2026 06:26:23 +0000</pubDate>
				<category><![CDATA[Edebiyat]]></category>
		<category><![CDATA[açık metin]]></category>
		<category><![CDATA[Algirdas Julien Greimas]]></category>
		<category><![CDATA[Anlatıbilim (Narratology)]]></category>
		<category><![CDATA[disiplinler arası yaklaşım]]></category>
		<category><![CDATA[dizimsel ya da sentagmatik yaklaşım]]></category>
		<category><![CDATA[Dizisel ya da paradigmatik yaklaşım]]></category>
		<category><![CDATA[Edebiyat ve Kuramlar]]></category>
		<category><![CDATA[Edebiyata Bakış Açıları]]></category>
		<category><![CDATA[Edebiyata Metin Odaklı Bakış]]></category>
		<category><![CDATA[edebiyata metin odaklı bakma]]></category>
		<category><![CDATA[edebiyata yazar odaklı bakış]]></category>
		<category><![CDATA[Edebiyatta yapısalcılık]]></category>
		<category><![CDATA[Eyleyenler Modeli]]></category>
		<category><![CDATA[Fatma Erkman-Akerson]]></category>
		<category><![CDATA[Ferdinand de Saussure]]></category>
		<category><![CDATA[Frankfurt Okulu]]></category>
		<category><![CDATA[İthaki Yayınları]]></category>
		<category><![CDATA[Joseph Campbell]]></category>
		<category><![CDATA[kapalı metin]]></category>
		<category><![CDATA[klasik roman]]></category>
		<category><![CDATA[Olay Örgüsü Çözümlemesi]]></category>
		<category><![CDATA[Romantik dönem]]></category>
		<category><![CDATA[Rus Biçimcileri (Russian Formalizm)]]></category>
		<category><![CDATA[Sigmund Freud]]></category>
		<category><![CDATA[Sovyetler Birliği]]></category>
		<category><![CDATA[Vladimir Propp]]></category>
		<category><![CDATA[Yapısalcılık]]></category>
		<guid isPermaLink="false">https://kavrakoglu.com/?p=20456</guid>

					<description><![CDATA[<p>Klasik roman akımına tepki olarak 18. yüzyıl sonlarında doğan romantik dönemden kaynaklanan edebiyata yazar odaklı bakış, yazarın kimliğini, psikolojisini bilmenin metni daha iyi anlamaya yardım edeceğini savunuyordu. Sigmund Freud (1856-1939) ve Joseph Campbell (1904-1987) kahramanın kimliğinde yazarın kimliğini bulmaya, mitolojik [&#8230;]</p>
<p>The post <a href="https://kavrakoglu.com/edebiyata-bakis-acilari-1-edebiyata-metin-odakli-bakis-1/">Edebiyata Bakış Açıları 1 Edebiyata Metin Odaklı Bakış 1</a> appeared first on <a href="https://kavrakoglu.com">Füsun Kavrakoğlu</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">20456</post-id>	</item>
		<item>
		<title>Disposing of Hitler 2</title>
		<link>https://kavrakoglu.com/disposing-of-hitler-2/</link>
					<comments>https://kavrakoglu.com/disposing-of-hitler-2/#respond</comments>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Wed, 09 Sep 2026 08:17:36 +0000</pubDate>
				<category><![CDATA[Kültür]]></category>
		<category><![CDATA[Adolf Hitler]]></category>
		<category><![CDATA[Austria]]></category>
		<category><![CDATA[Austrian Nazi movement]]></category>
		<category><![CDATA[Bregenz]]></category>
		<category><![CDATA[far-right ideology]]></category>
		<category><![CDATA[Herman Joachim Pagels]]></category>
		<category><![CDATA[Nazi artefacts]]></category>
		<category><![CDATA[Nazi ideology]]></category>
		<category><![CDATA[Nazi imperial eagle]]></category>
		<category><![CDATA[Nazi objects]]></category>
		<category><![CDATA[Nazi Party]]></category>
		<category><![CDATA[Nazi rule]]></category>
		<category><![CDATA[Nur Emiroğlu]]></category>
		<category><![CDATA[Prohibition Act]]></category>
		<category><![CDATA[swastika]]></category>
		<category><![CDATA[the Anschluss (annexation)]]></category>
		<category><![CDATA[Vienna University Library]]></category>
		<category><![CDATA[Vorarlberg Museum]]></category>
		<guid isPermaLink="false">https://kavrakoglu.com/?p=20447</guid>

					<description><![CDATA[<p>A neutral reaction is rare: many people find Nazi objects repellent, for others they exert a great attraction. For a long time, people did not talk openly about the years of Nazi rule. This lack of engagement also fostered the [&#8230;]</p>
<p>The post <a href="https://kavrakoglu.com/disposing-of-hitler-2/">Disposing of Hitler 2</a> appeared first on <a href="https://kavrakoglu.com">Füsun Kavrakoğlu</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">20447</post-id>	</item>
		<item>
		<title>Disposing of Hitler 1</title>
		<link>https://kavrakoglu.com/disposing-of-hitler-1/</link>
					<comments>https://kavrakoglu.com/disposing-of-hitler-1/#respond</comments>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Tue, 08 Sep 2026 07:38:17 +0000</pubDate>
				<category><![CDATA[Kültür]]></category>
		<category><![CDATA[Austria]]></category>
		<category><![CDATA[Bregenz Festival]]></category>
		<category><![CDATA[fascism and dictatorship]]></category>
		<category><![CDATA[Germany]]></category>
		<category><![CDATA[Nazi artefacts]]></category>
		<category><![CDATA[Nazi crimes]]></category>
		<category><![CDATA[Nazi ideology]]></category>
		<category><![CDATA[Nazi past]]></category>
		<category><![CDATA[Nazism]]></category>
		<category><![CDATA[neo-Nazi activity]]></category>
		<category><![CDATA[remnants of Nazism]]></category>
		<category><![CDATA[Rome]]></category>
		<category><![CDATA[symbols of Nazism]]></category>
		<category><![CDATA[the House of Austrian History]]></category>
		<category><![CDATA[Vorarlberg Museum]]></category>
		<guid isPermaLink="false">https://kavrakoglu.com/?p=20444</guid>

					<description><![CDATA[<p>When I traveled to Austria in August 2026 to see La Traviata at the Bregenz Festival, I came across an exhibition at the Vorarlberg Museum. I believe this experience belongs in my series on fascism and dictatorship. What struck me [&#8230;]</p>
<p>The post <a href="https://kavrakoglu.com/disposing-of-hitler-1/">Disposing of Hitler 1</a> appeared first on <a href="https://kavrakoglu.com">Füsun Kavrakoğlu</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">20444</post-id>	</item>
		<item>
		<title>Edebiyata Dair 21</title>
		<link>https://kavrakoglu.com/edebiyata-dair-21/</link>
					<comments>https://kavrakoglu.com/edebiyata-dair-21/#respond</comments>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Mon, 07 Sep 2026 07:19:16 +0000</pubDate>
				<category><![CDATA[Edebiyat]]></category>
		<category><![CDATA[Anton Çehov]]></category>
		<category><![CDATA[Bugün Dünya Edebiyatından Söz Etmek Mümkün mü?]]></category>
		<category><![CDATA[Dostoyevski]]></category>
		<category><![CDATA[dünya edebiyatı kavramı]]></category>
		<category><![CDATA[Edebiyat ve Kuramlar]]></category>
		<category><![CDATA[Fatma Erkman-Akerson]]></category>
		<category><![CDATA[Goethe]]></category>
		<category><![CDATA[İthaki Yayınları]]></category>
		<category><![CDATA[Karşılaştırmalı Edebiyat]]></category>
		<category><![CDATA[kırsal Rusya kültü]]></category>
		<category><![CDATA[Moskova]]></category>
		<category><![CDATA[Mustafa Akar]]></category>
		<category><![CDATA[Nataşa’nın Dansı]]></category>
		<category><![CDATA[Orlando Figes]]></category>
		<category><![CDATA[Sabit Fikir]]></category>
		<category><![CDATA[St. Petersburg]]></category>
		<category><![CDATA[Tolstoy]]></category>
		<category><![CDATA[ulusal edebiyatlar]]></category>
		<category><![CDATA[Vişne Bahçesi]]></category>
		<category><![CDATA[YKY]]></category>
		<guid isPermaLink="false">https://kavrakoglu.com/?p=20439</guid>

					<description><![CDATA[<p>Her toplumun kendi edebiyatına sahip olduğu düşüncesi, imparatorlukların çözülmesi ve ulus devlet anlayışının ortaya çıkması ile bağlantılıdır. Günümüzde ulusal edebiyatların yanı sıra bir dünya edebiyatından çokça söz edilmektedir. Daha önce paylaştığımız gibi dünya edebiyatı kavramını, Goethe 19. yüzyılın başında ortaya [&#8230;]</p>
<p>The post <a href="https://kavrakoglu.com/edebiyata-dair-21/">Edebiyata Dair 21</a> appeared first on <a href="https://kavrakoglu.com">Füsun Kavrakoğlu</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">20439</post-id>	</item>
		<item>
		<title>Edebiyata Dair 20 Edebiyat Nedir?</title>
		<link>https://kavrakoglu.com/edebiyata-dair-20-edebiyat-nedir/</link>
					<comments>https://kavrakoglu.com/edebiyata-dair-20-edebiyat-nedir/#respond</comments>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Sun, 06 Sep 2026 06:29:26 +0000</pubDate>
				<category><![CDATA[Edebiyat]]></category>
		<category><![CDATA[belle lettres]]></category>
		<category><![CDATA[Edebiyat Nedir]]></category>
		<category><![CDATA[Edebiyat ve Kuramlar]]></category>
		<category><![CDATA[edip]]></category>
		<category><![CDATA[Fatma Erkman-Akerson]]></category>
		<category><![CDATA[fenn-i edep]]></category>
		<category><![CDATA[ilm ül-edep]]></category>
		<category><![CDATA[İthaki Yayınları]]></category>
		<category><![CDATA[Literatür]]></category>
		<category><![CDATA[literatura]]></category>
		<category><![CDATA[littera]]></category>
		<category><![CDATA[litterae]]></category>
		<category><![CDATA[mensur ve nesir]]></category>
		<category><![CDATA[Meydan-Larousse Ansiklopedisi]]></category>
		<category><![CDATA[Namık Kemal]]></category>
		<category><![CDATA[şiir ve inşa]]></category>
		<category><![CDATA[Şinasi]]></category>
		<category><![CDATA[Tuncay Birkan]]></category>
		<category><![CDATA[writing]]></category>
		<category><![CDATA[yazın]]></category>
		<category><![CDATA[Ziya Paşa]]></category>
		<guid isPermaLink="false">https://kavrakoglu.com/?p=20435</guid>

					<description><![CDATA[<p>Edebiyat nedir sorusuna verilecek yanıt, döneme ve kültüre bağlı olarak verilebilir. Türkçede bu kavramı karşılayan iki sözcük var: edebiyat ve yazın. Edebiyat sözcüğünü bugünkü anlamıyla kullanıp yaygınlaştıranlar Şinasi ve Namık Kemal olmuş. Şinasi, fenn-i edep derken, iyi ahlak öğrettiği için [&#8230;]</p>
<p>The post <a href="https://kavrakoglu.com/edebiyata-dair-20-edebiyat-nedir/">Edebiyata Dair 20 Edebiyat Nedir?</a> appeared first on <a href="https://kavrakoglu.com">Füsun Kavrakoğlu</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">20435</post-id>	</item>
		<item>
		<title>The Baths of Caracalla 4</title>
		<link>https://kavrakoglu.com/the-baths-of-caracalla-4/</link>
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		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Sat, 05 Sep 2026 08:01:04 +0000</pubDate>
				<category><![CDATA[Eski Kültürler]]></category>
		<category><![CDATA[Basilica of Maxentius]]></category>
		<category><![CDATA[Baths of Diocletian]]></category>
		<category><![CDATA[Chicago Union Station]]></category>
		<category><![CDATA[frigidarium]]></category>
		<category><![CDATA[Natatio]]></category>
		<category><![CDATA[Palaestrae]]></category>
		<category><![CDATA[Pennsylvania Station in New York]]></category>
		<category><![CDATA[Piazza Farnese]]></category>
		<category><![CDATA[porphyry (serpentine)]]></category>
		<category><![CDATA[tessera]]></category>
		<category><![CDATA[The Baths of Caracalla]]></category>
		<guid isPermaLink="false">https://kavrakoglu.com/?p=20427</guid>

					<description><![CDATA[<p>The Palaestrae were double and symmetric, they were excavated in 1870. The Palaestrae floors had colored marble mosaic tesseras with large use of crushed green porphyry (serpentine) and antique yellow. The floors were boarded by black trim and were divided [&#8230;]</p>
<p>The post <a href="https://kavrakoglu.com/the-baths-of-caracalla-4/">The Baths of Caracalla 4</a> appeared first on <a href="https://kavrakoglu.com">Füsun Kavrakoğlu</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">20427</post-id>	</item>
		<item>
		<title>The Baths of Caracalla 3</title>
		<link>https://kavrakoglu.com/the-baths-of-caracalla-3/</link>
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		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Fri, 04 Sep 2026 07:37:35 +0000</pubDate>
				<category><![CDATA[Eski Kültürler]]></category>
		<category><![CDATA[Cathedral of Pisa]]></category>
		<category><![CDATA[Church of Santa Maria in Trastevere]]></category>
		<category><![CDATA[Elisabeth Farnese]]></category>
		<category><![CDATA[Farnese Bull]]></category>
		<category><![CDATA[Farnese Collection]]></category>
		<category><![CDATA[Farnese family]]></category>
		<category><![CDATA[Farnese Hercules]]></category>
		<category><![CDATA[Florence]]></category>
		<category><![CDATA[frigidarium]]></category>
		<category><![CDATA[Museo Archeologico Nazionale di Napoli]]></category>
		<category><![CDATA[Museo Nazionale Romano]]></category>
		<category><![CDATA[Philip V of Bourbon]]></category>
		<category><![CDATA[Piazza Farnese]]></category>
		<category><![CDATA[Piazza S. Trinita]]></category>
		<category><![CDATA[Pope Paul III Farnese]]></category>
		<category><![CDATA[Rome]]></category>
		<category><![CDATA[The Baths of Caracalla]]></category>
		<category><![CDATA[Vatican Museums]]></category>
		<guid isPermaLink="false">https://kavrakoglu.com/?p=20423</guid>

					<description><![CDATA[<p>The Baths of Caracalla were adorned with columns, precious marble slabs on the pavements and on the walls, glass-paste mosaics on the vaults, stucco paintings and hundreds of statues and colossal sculptures. During the Middle Ages the Thermae were used [&#8230;]</p>
<p>The post <a href="https://kavrakoglu.com/the-baths-of-caracalla-3/">The Baths of Caracalla 3</a> appeared first on <a href="https://kavrakoglu.com">Füsun Kavrakoğlu</a>.</p>
]]></description>
		
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		<title>The Baths of Caracalla 2</title>
		<link>https://kavrakoglu.com/the-baths-of-caracalla-2/</link>
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		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Thu, 03 Sep 2026 07:09:41 +0000</pubDate>
				<category><![CDATA[Eski Kültürler]]></category>
		<category><![CDATA[calidarium]]></category>
		<category><![CDATA[frigidarium]]></category>
		<category><![CDATA[hypocaustum system]]></category>
		<category><![CDATA[imperial baths]]></category>
		<category><![CDATA[laconica]]></category>
		<category><![CDATA[Mithraeum]]></category>
		<category><![CDATA[Mithras]]></category>
		<category><![CDATA[shops (tabernae)]]></category>
		<category><![CDATA[steam bath]]></category>
		<category><![CDATA[swimming pool (natatio)]]></category>
		<category><![CDATA[tepidarium]]></category>
		<category><![CDATA[The Baths of Caracalla]]></category>
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					<description><![CDATA[<p>The rectangular plan is typical of the great imperial baths. The central thermal building itself was oriented in N-E/S-W, for the exploitation of the sunlight. The thermal areas were placed on a single axis while the dressing rooms and gyms [&#8230;]</p>
<p>The post <a href="https://kavrakoglu.com/the-baths-of-caracalla-2/">The Baths of Caracalla 2</a> appeared first on <a href="https://kavrakoglu.com">Füsun Kavrakoğlu</a>.</p>
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		<title>The Baths of Caracalla 1</title>
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		<pubDate>Wed, 02 Sep 2026 06:46:13 +0000</pubDate>
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		<category><![CDATA[The Baths of Caracalla]]></category>
		<category><![CDATA[The Thermae Antoninianae]]></category>
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					<description><![CDATA[<p>The Thermae Antoninianae, one of the largest and best preserved thermal complexes of antiquity, were entirely built by the Emperor Caracalla since AD 212. The Baths were erected in the southern part of Rome. The thermal complex was planned over [&#8230;]</p>
<p>The post <a href="https://kavrakoglu.com/the-baths-of-caracalla-1/">The Baths of Caracalla 1</a> appeared first on <a href="https://kavrakoglu.com">Füsun Kavrakoğlu</a>.</p>
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